Born in 1948, he approached painting very young, following his natural inclination, which led him to experience with enthusiasm, first of all, watercolors and tempers, then, towards 1973, to dedicate himself with total and driving commitment to the study of drawing, of human anatomy and of the hard work with oil.
Fierce fier, more annigoniancor his innate artistic talent by the knowledge and admiration for the various genes of our past and Renaissance painting especially going back to the tradition of Rembrandt, to cite only one foreigner, and those of Italian immortals such as Raphael, Leonardo , Giorgione and Caravaggio.
Then the discovery by Fiermonte of the painting by Bevilacqua, Fiermonte, Gaglianogrande Annigoni, fatal and decisive encounter of a rather similar creative nature.
It is therefore at the school of the great Annigoni that the maestro Fiermonte was formed, from whom he received the first encouragement, the precious technical and stylistic suggestions and gradually the confirmation and validation attestations until the full recognition of his remarkable artistic ability, especially in portraiture, in which Tommaso da Casamassima excels without reservations.
Fiermonte has participated in various art exhibitions and is included in the catalogs and specialized magazines, has received many acclaim from critics and public, winning important international prizes and awards.
Fiermonte is also an artist of great biblical vocations, his brush sings the prophetic colors of the mystery of man in the grip of his obscure existential drama and the false idols of the modern world.
We do not speak of an artist of the past, Fiermonte in his years combines in itself centuries of classical artistic experience meditated and distilled in his age today.
They wrote about him among others: Alberto Bevilacqua, Michele Campione, Giuseppe Congiù.